
Tim Fraser Brown has done a charming peice with Sam Hall, Alex Wooley, Amy Knowles and Andy Kidd took Manet’s Bar at the Folies Bergere and reproduced it using a grid of over five thousand Pantone swatch chips. It ends up as a kind of contemporary pixelated sort of impressionism just stopping short of digitization. This technique could – and probably should – be applied to some other paintings too. Come on Tim, why stop there?