
If you’re planning a wedding and arbitrarily picking out ugly colours for your bridesmaids’ dresses is too inaccurate and random for you, fret not. Pantone has released a wedding colour guide (specifically for 2010) to help you through this process. These aren’t your normal colours either. These are wedding colours so you know you’re on the right track. Don’t you dare try using them for a birthday or engagement party. If your wedding is in 2011 beware, you’ll be instantly dated a fashion dinosaur.



Santiago Calatrava bases a lot of his work on biology, fusing his engineering prowess and architectural sensibilities with bio-mimicry of naturalistic forms. Then he paints it all bone white. He makes no secret of this inspiration though some astute intellectuals would argue that nothing can be gained from attempting to mimic the beauty of a butterfly, for instance, since one can never succeed in actually coming out as the winner in such a comparison as one could never supersede or even match that beauty and elegance. Black + Blum did not seek inspiration from nature for their High + Dry dish rack though. They, more sensibly perhaps, looked to architecture for inspiration. Santiago Calatrava’s architecture. Ruh Roh. So now we have a dish rack based on a building based on a butterfly. Welcome to the future. It’s recyclable and folds completely flat for storage too. Too bad it’s made from plastic in the first place. Wood is recyclable too you know.
Yesterday in Massachusetts, Eric Carle’s Museum of Picture Book Art played host to Crayola who presented Carle with a crayon. But wait. Theres more. It was a 5-foot tall crayon. This wasn’t just any big crayon though. It was in a special edition Crayola color entitled “Very Hungry Caterpillar Green to honor Eric Carle’s celebrated children’s book which celebrates it’s 40th anniversary this year (Carle himself celebrates his 80th this year). Icecream and cake were served to accompany the regular sized versions of the crayon gifted to attendees.
You might think your art director is tough to work with. There is a tiny art director out there which might give your a run for their money though. She knows what she wants and she wants it now. Maybe she wasn’t clear enough but you, as the artist, should be able to interpret the subtext well enough. Don’t do it wrong. This serves as a lesson to not work with family, and not work with children. Combining the two could lead to a high stakes game of draw-and-erase and Bill Zeman shows us as he tries to please his daughter.




