Ohmpage

We surf hard so you don’t have to. Ohmpage brings you content covering the intersection between technology and culture. Relax. It’s good for you.

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Raj Patel is a technology culture blogger and architecture professional in Toronto. Editor of Ohmpage.
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Jess Henderson is a self-professed culture sponge based in Toronto with a soft spot for food, music, and fashion.
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Court Sin is a multidiciplined designer at a top Toronto architecture firm, an artist, and contributing author.
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Sachin Hingoo lives in Toronto and is a dedicated follower of tech culture, video games, and film.
Hi. Welcome to Ohmpage. We try to deliver content we find interesting ourselves and encourage our readers to participate. We're undergoing some changes for 2010, expanding the site to include more voices and variety by adding new contributing authors. We've got a new site design and as always are encouraging reader participation. Don't hesitate to get in touch with us about our content. Ohmpage is fully independent and run on a volunteer basis. Much of our content is syndicated elsewhere on the web and we are lisenced under the Creative Commons. If you would like us to review your product or content or if you would like to advertise with Ohmpage please email us about it.

China is really big. There are a lot of people in china all sharing the same cultual context. One of the problems that emerges as a result is the fact that over a billion people there are sharing about one hundred surnames. That is starting to cause some difficulty in differentiating people. We can’t all have the same name after all. It would be rather inconvenient. They seem to have come up with one possible solution though – allowing parents to combine their surnames to give their children a compound surname. That seems like a decent solution in theory but only if you lose the misogyny.

Evolution of speechbaloons

SpeechThe graphic device used to illustrate dialog has a more interesting lineage than you may imagine. It is a slow evolution with a rich history allowing for a wealth of examples of experimentations with incremental shifts in style however abstract it may, in fact, be.

Mark Liberman has done a bit of investigation into the history of typographic censorship (or ‘bleeping‘ as he calls it). It is a very different thing than taking a black marker to text as a tool for censorship. Typographic bleeping involves the replacing of one character with another to abstract or obscure offending words. Anybody who bought a hip hop cassette in the 1990s is well familiar with this trend.

Zoomorphic Calligraphy

zoomorphicThis is an ancestor of the post-modern typographic abstraction found in much of today’s graffiti murals. Glyphs are transformed to create a duality of semiotics between language and image. Peacay has done a nice little write-up on a great subject which is often overlooked and sorely in need of further documentation particularly some which contextualises this work to what we see today in typography and graphic design.

The journopimps over at the New York Times apparently dumb down their headlines for Google. This is pretty interesting as it may point the way towards a new form of writing more kin to madlibs than to formal linguistic composition. One day we could see news articles which dynamically adapt to colloquial or even personal language variances. You could read an article and find comfort in the fact that you know all the words and that there is nothing over two syllables included. You may opt for a lexicon expanding form of news delivery. The same articles could adapt to how individuals or groups want to read them.

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